Number one prerequisite for a good master is a good mix. The eq it applied to the track was horrible. Ozone - too fiddly for me, mastering assistant produced a bizarre bell eq boost a 6k?ДҐ. T-Racks (great for when you can't be bothered fiddling with knobs)Д¤. Logic and Waves (lots of control, if you know what to do with it)ДЈ. I would be happy using any of these plugins but my preferences would be:ДЎ. Apart from the final one from LANDR - you won't miss that. They play in the above order, without breaks - so you'll need to listen well to catch any differences. Here's what the mastered output looks like:ДЄnd here's what they sound like. The input level of the mix was 0dB RMS or around -6dBFS (peak).

LANDR only offers options such as Balanced and High.ДЄll masters (except LANDR) were limited to achieve loudness of -9dB LUFS. With Ozone I just used the Mastering Assistant with no adjustments by me and with T-Racks I just inserted the plug-in and adjusted nothing. Masterdesk offers some control which is probably all that you'll need. With Logic and Waves, I had complete control of all parameters. We have six, eight-bar choruses of the tune mastered with: I also submitted to LANDR to see what they would make of it. I've taken one of my own tunes, 'Man Of The House' and mastered it using the various plug-in that I possess to see which was best - or indeed if I (or you) could tell the difference between them.

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